ANC Creative · internal
ANC has been running a full creative services operation for years — real designers, real deadlines, real clients. It has never carried a rate. This is what it looks like on the system, and what it is worth.
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The position
Creative work ANC delivered in the last complete year, priced at a blended
$85 an hour.
Invoiced to date: $0.
It is an existing one with no price on it. The designers, the queue, the clients and the delivery record all already exist — audited below.
9,343 hours logged April 2025 – March 2026, across 64 clients. Logged time entries, not estimates.
The rest of this deck does three things: shows the operation is real, shows what it sells alongside, and puts a number on the hour.
The operation
Design requests by client. Yesterday morning this board read 20,492 — five more have arrived since. A live count, not a report.
Indiana Pacers: 1,702 requests. Rocket Arena: 1,174. Tennessee Titans: 832. Indiana Fever: 794.
Every one of those requests was scoped, designed, reviewed and delivered. None of them carried an hourly rate.
Still running
Demand is not the thing to solve. The queue fills itself, from the clients ANC already has.
The designers' own board: 396 active in their working scope, 209 of them past due.
The hours
Hours logged by the design team, by month. The twelve blue months are 9,343 hours — the year we would have invoiced.
March 2026: 1,045 hours. August 2026: 3.8 hours — while 143 new requests came in. The work did not stop. The capture did.
The wedge
A conventional game-day package arrives as a folder of finished clips, with every player name, score and sponsor painted into the pixels. The day the roster changes, it goes back to the vendor.
That is the product the creative hours sell into — and the reason the conversation is a season subscription, not a per-clip quote.
The proof
Built on the boards ANC already runs. Thirty seconds, sixty frames a second, original score, twelve templates cut from ANC's own material language — the aluminium of the stadium facade. No stock footage anywhere in it.
The second half of the film is the creative operation itself — the same numbers on these slides, on the working boards.
The money
The hours are delivered. The clients are under contract for other work. The per-client record exists.
A monthly statement per client is the invoice and the renewal conversation — it puts a number in front of the client twelve times a year instead of once, and it does it with work they already asked for.
At $85, the design team pays for itself and funds the next two hires.
Move the rate. Every figure on this deck moves with it — including the client statements on the next slide. Nothing here is baked in, which is exactly the pitch.
Who bills first
Logged hours per client, April 2025 – March 2026, at $85 an hour.
| Client | Hours, the year | Hours a month | Monthly statement |
|---|---|---|---|
| These eight |
A ninth line belongs third on this list and cannot be sent: 993 hours logged against no client at all. That one is a data fix, and it is on the next slide.
Where to be careful
Naming the weak spots is what makes the rest of the numbers credible in the room.
177,354 estimated hours sit on the record, but only 962 of 20,497 requests carry an estimate at all, and the figures are inconsistent between clients.
Use estimates as evidence of scale. Bill from logged time — the 9,343.
1,045 hours logged in March, 3.8 in August, while 143 fresh requests arrived. The field is there; the habit lapsed when the old tracker was retired.
Billing starts the month capture is back on. Nothing else blocks it.
572 of 633 control-room graphics requests carry no venue and no client code, so they cannot be split per client — and neither can the 993 unattributed hours.
One clean-up pass on 572 records. Then CG bills like everything else.
None of the three is a build. All three are decisions or an afternoon of cleanup — which is why the $794K is a pricing question, not a project.
The ask
One blended hourly number for design and creative. Recommendation: $85, reviewed after two quarters.
Designers log hours against the request they are working. The field already exists on every request.
572 control-room records get a client and a venue, so CG hours land on a statement like everything else.
Eight clients, one page each, monthly. Hours delivered, rate, total — and the next conversation.
What's missing is a price.
ANC Creative · Internal